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Construct System Solutions
Construct™ 120 80 Structures

Construct™ 120 80 Structures

Item # CON120
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(800) 341-1557

Non-linear designs

Moss employs a unique manufacturing process and specialized equipment to bend the Construct framing systems to execute non-linear designs and angled corners. Construct 120 80 are significantly stronger than system groove locks and snap frames for fabricating large scale tension fabric structures.

Smooth Finish - minus the groove

Because cladding extrusion is only added where it is needed, the rest of the surfaces are left smooth, eliminating the need to hide unused system grooves.

Light + Nimble

Building 20’, 30' and 40' spans without vertical support unleashes creativity, maximizes space utilization and minimizes material requirements - Construct 120 can span 30' (at minimal load) without vertical support, and when used in an I-beam style double-beam spreader configuration can span up to 40' without vertical support (minimal load). Construct 80 can span 20' (at minimal load) without vertical support, and when used in an I-beam style double-beam spreader configuration can span up to 30' without vertical support (minimal load). Less drayage and faster installation mean more budget for designing the ideal exhibit. Cost savings at future shows are rapidly realized.

Height Without Hangpoints

Eliminate costly rigging labor and potential delays while highlighting your company with impactful branding. The Construct System is ideal for showcasing branding with 10’ high seamless graphics and no need for rigging.

Efficient, Exclusive Pull-Tite™ Locks

Proprietary Pull-Tite locks deliver amazingly fast, secure and simple frame assembly. The best part: no small, loose parts.

Built-in Brilliance

plug-and-play Illuminedge LED lightbox technology is integrated to impressively backlight fabric panels. Available integrated lighting solutions also include the LED Color Wash Wall, dynamic and programmable with 4,000+ colors. Each eye-catching lighting solution features plug-and-play efficiency and pre-run hidden wiring that saves on site electrical costs.

Advanced Design

Several design differentiators immediately set the Construct System apart. Along with its ability to span great distances without support, it is the fastest-installing channel-less extrusion with modern, clean and elegant lines. It is also the largest bendable extrusion available, creating organic curves resulting in a sleek, artfully attractive booth with superior functionality. This product is covered by one ore more pending U.S. Patent(s) owned by Moss Holding Company.

Design Outdoors!

Construct 120™ is now available for custom outdoor structures. All outdoor structures are certified by a structural engineer. Create outdoor temporary and portable 3D structures for branding and wayfinding including arches up to 20 ft. high.

Custom Rental

The Construct System is perfect for creating modern, large-scale custom structures, clad however you like with fabric and a variety of available materials. It is also available with standard Rental Post Beam sizes to build large-scale with a design-centric rental solution. Learn more about all of our rental products and download the Moss Rents Catalog .

Frame - 120mm, Square, Smooth aluminum extrusion

Here's a chart of Transcribe's built-in keyboard commands. Click the image for a PDF:

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Here are a few essential facts to understand about Transcribe and Transcribe files.

Transcribe can play any marked or selected section in a loop for detailed study. Transcribe files may also include subtle pitch correction, which makes an 'out of tune' recording play in tune!

You can also use Transcribe to control audio playback without ever creating a Transcribe file. You can just set up a workspace on the fly. But if you go to the trouble of creating markers, or adjusting the pitch to bring the recording in tune, you might as well save your work. The files are tiny, you can use them again, and you can share them with other musicians who have the same recordings.

People use Transcribe differently depending on their purposes. In the next section I'll describe the features most everyone will use. Afterwards I'll explain how you're likely to use Transcribe if you play for fun and recreation, if you're a music student, if you're a music teacher, a performer or scholar, or a transcriptionist. I plan to include a few video tutorial screencasts here in coming months... in the meantime, here are words to describe.

If you want to dive right in and start using Transcribe, you can skip this section and jump ahead to the section on installing keystrokes and using transcribe . And you can Van Dal Paxton Womens Wedge Heel Open Court Shoes womens Court Shoes in Quality Free Shipping Outlet Clearance Excellent Orange 100% Original Cheap Sale Ebay Fashion Style GOT9dEY
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I know lots of musicians who use Transcribe, but rather than using it to transcribe (i.e. notate music), most of them simply Transcribe it to play along with recordings, to fine tune their chops and timing, to practice improvisation, or to learn music by ear. Mainly I know people who use Transcribe to learn by ear, because they can slow the music down, mark sections, and play sections in loops.

Transcribe's name implies that it's main purpose centers around music transcription: the art of listening to music and notating it. Oddly Transcribe doesn't transcribe music. (Well, in one small way it does. Transcribe has a spectral analysis feature which can usually identify a single note or chord. But Transcribe doesn't automatically generate music notation of melodies, scores or chord progressions. Click to learn more about transcribing music .)

Even though Transcribe does not automatically analyze music and create music notation, it's a remarkable tool for musicians like myself who undertake that task. Presently I recommend Transcribe as the best tool for transcribing.

Speed control is one of Transcribe's simplest features. It's helpful when you want to play along with a recording but the tempo is too fast. Reducing the speed is especially helpful when learning by ear or playing along, because you can slow the music to a comfortable learning pace where you can readily hear the details and play along without scrambling. Later you can challenge yourself by incrementally increasing the tempo and playing along, until you can comfortably play at full speed.

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